![]() ![]() That's skill right there, thank you John Murphy. To me the song is so dark, so creepy and emotional without even having lyrics. It's what got me into the kind of editing I do now. It's my favourite song of all time, I love it so much I've used it multiple times in my youtube videos. I'm not joking when I say I love this song. The covers in particular are always a pleasure to listen to and some are better than the original in some ways. Not to mention the amount of fantastic covers and remixes. I listen to this song daily and love it every time. Guitar 1 plays all the way through until outro starts Guitar 2 starts on 16th 'beep' of Guitar 1 after playing the piece SOFTLY twice, it is played once more, with steady increase of hardness then guitar 2 plays the main riff 28 times on the B string on the 5th riff from guitar 2, drums. But the song that stands out to me is in the house in a heartbeat. It's so damn good and I've listened to it so many times I've lost count. I honestly think the reason I like it so much is because of the soundtrack. But after multiple viewings it's now one of my favorite movies. I saw it back in 2016 and liked it on first viewing. 28 days later is one of my favorite movies of all time. "Season Song", a song performed by British band Blue States, from their 2002 album Man Mountain, was released as a single, containing a remixed version by Rui da Silva and a "Taxi" ( Ave Maria) remix by Jacknife Lee.I am of course talking about the song created by the amazing John Murphy in 2002, for the film 28 days later. A trance remix was also produced by the Irish duo Tucandeo in 2013. It has also been featured in a Strongbow cider advert on British television. The Italian band Eldritch used the song on the first CD of their 2008 live album Livequake as an intro. An unofficial arrangement of it was used in the final scene of the first episode of the anime Highschool of the Dead. This iteration was included in one of the game's soundtracks when released for free on the developer's bandcamp site, where it was dubbed "Iffenhaus – In a Heartbeat (John Murphy Homage)". The song was covered by British Death Metal band The Rotted on their album Get Dead Or Die Trying, and indie developer James Silva for the Xbox Live Arcade game The Dishwasher: Vampire Smile, in a Guitar Hero style mini-game segment where the protagonists play guitar solos. It was used in tense or large scale moments in Top Gear, The Apprentice and Richard Hammond's Journey To. The BBC used the track in a number of their television programmes in July 2011. It is also featured in a climactic torture and fight scene in 2010's Kick-Ass and throughout the sequel Kick-Ass 2, and in a trailer for the post-apocalyptic videogame Metro 2033 and appeared again in the Metro Exodus trailer, which is another game in the franchise. The track was featured over the climactic confrontation of the film, and recurs in several scenes in the sequel, 28 Weeks Later. "In the House – In a Heartbeat" is an instrumental metal track performed by John Murphy. Reception and single releases Professional ratings Review scores "Season Song (Rui da Silva Remix)" (performed by Blue States) "Frank's Death – Soldiers (Requiem in D Minor)" ![]() ![]() " In Paradisum (Faure's Requiem in D Minor)" "An Ending (Ascent)" (performed by Brian Eno) "Taxi (Ave Maria)" ( Ave Maria performed by Perri Alleyne) "Jim's Parents ( Abide with Me)" (Abide with Me performed by Perri Alleyne) Track listing Īll tracks performed by John Murphy unless otherwise stated. The second movement of " East Hastings" by the Canadian post-rock band Godspeed You! Black Emperor, albeit condensed, appeared in the film but not on the soundtrack album because the rights for the song could not be obtained. It was released in CD format on the 17 June 2003 additionally including tracks from Brian Eno, Grandaddy and Blue States, which also featured in the film. Rock, post-rock, alternative rock, ambient, electronica, classicalĢ8 Days Later: The Soundtrack Album is the accompanying soundtrack album and original score composed by John Murphy, for the 2002 film of the same name. ![]()
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